Hemingway & Gellhorn: make love, no(matter the) war

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Having pretty Nicole on the foreground - not as she'd be if she hadn't met her best pal, who's of course her plastic surgeon, "Hemingway & Gellhorn" attempts to narrate writer Ernest Hemingway's life and his wife Martha, also a writer and a war correspondent.

You immediately grasp in the air you're going to watch good sex by the time these two meet in a filthy bar. Hemingway is married to a wretched catholic female human being, probably wet blanket, but always a fine mother and wife. She looks like a cleaning lady - with all respect to the job - she's got bad hair and is no way comparable with the unique beauty of Nicole (call me Gellhorn). Besides, she's not the star here.

Both Hemingway and Gellhorn make their first journey as writers in Spain to observe the civil war and make a movie out of it. Naturally she's attracted by his unshaved manliness and gets so thrilled that starts to break things and stare at butts like they're Picasso paintings (oh my, how pervert!). There they have sex for the first time while tanks pass nearby and some walk-ons get bombed on.

Wow, war is awesome in Spain! They fight in the morning and they dance and f*ck in the night. And there's the folklore; Gellhorn gets excited by scars and Hemingway has lots of them.

You realize that Hemingway is a man by those punkish quotes. "A man knows his friends". "I'm gonna take you like a horse, in your fucking fur coat". And of course by his shaggy chest that he incessantly shows off to chicks and gays.


You'd think he'd perfectly dump the bad-haired catholic to marry Gellhorn. No! How much of good sex can a man withstand? The man needs his woman to wash the dishes. Gellhorn is a fancy magazine cover with ambitions to travel to Russia, Finland, China, wherever people die.

 Hemingway's pissed off with this so he goes all the way with a silly blonde that's bad in bed but gets his slippers to him. Gellhorn thrives with her career around the world covering military stories - even her eyeliner remains intact despite her cry bursts.

So, Hemingway is a step from madness just before catching a swordfish and finding himself bedridden to be fed soups by the blonde. Gelhorn on the other side, gets wrinkles to be scorned by every ex-magazine cover's bestfriends; cats.
As in life, man dies first and the woman works till deep senescence. What's the meaning of all this? Don't ever break up with a catholic wife and mother for good oral sex. Lips, as well as dicks, eventually sag...





 

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